{"id":8787,"date":"2025-06-25T18:10:39","date_gmt":"2025-06-25T16:10:39","guid":{"rendered":"https:\/\/pipol12.pipolcongres.eu\/?p=8787"},"modified":"2025-06-27T06:51:18","modified_gmt":"2025-06-27T04:51:18","slug":"fatiha-sarah-belghomari","status":"publish","type":"post","link":"https:\/\/pipol12.pipolcongres.eu\/en\/2025\/06\/25\/fatiha-sarah-belghomari\/","title":{"rendered":"Destinies of a residue &#8211; Fatiha Sarah Belghomari"},"content":{"rendered":"<div class=\"pf-content\"><p class=\"tm15\"><span class=\"tm16\">On the poster concocted for our next Congress, <\/span><em><span class=\"tm17\">Family and Its Discontents,<\/span><\/em><span class=\"tm13\"> we can notice the cutting of the signifier <\/span><em><span class=\"tm17\">dis-con-tents <\/span><\/em><span class=\"tm13\">(<\/span><em><span class=\"tm17\">mal-aise, <\/span><\/em><span class=\"tm13\">in French), which indicates a caesura that emphasises the inherent discomfort in the structure of the family itself. <\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">The <\/span><em><span class=\"tm17\">dis-con-tent<\/span><\/em><span class=\"tm13\">, not considered as a simple dysfunction, but as a structuring residue, a remnant without apparent value \u2013\u00a0a waste, a secret, a cut within the language, a danger. The French word <\/span><em><span class=\"tm17\">aise<\/span><\/em><span class=\"tm13\"> refers to what is nearby <\/span><span class=\"tm13\">[1] <\/span><span class=\"tm13\">and, de facto, innervates the bonds that one and the other try to build to make family. Everything, within the family, seems to converge on that point of unease: from the one that seeks an inscription within it to the one that wishes to get rid of it, to avoid it or to make oneself heard from it. <\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">The six texts of the present issue bear witness to the discontent as a multifaceted transmission agent<\/span><span class=\"tm13\">: Eleonora Renna <\/span><span class=\"tm13\">underlines that what ties a family is the misunderstandings of <\/span><em><span class=\"tm17\">lalangue<\/span><\/em><span class=\"tm13\">, those little bits <\/span><em><span class=\"tm17\">that are sang past one\u2019s ears as a familiar melody<\/span><\/em><strong><span class=\"tm18\">. <\/span><\/strong><span class=\"tm13\">Rosa Godinez shows that the family is a place where danger occurs, to the point of madness: a mother with a ferocious superego triggers an irreversible loss. <\/span><span class=\"tm13\">Elisabeth Marion <\/span><span class=\"tm13\">describes how <\/span><em><span class=\"tm17\">a detail<\/span><\/em><span class=\"tm13\"> taken from a picture can upset the course of a life that only psychoanalysis allows one to get on with, through another thread.<\/span><span class=\"tm13\"> Claudia Iddan <\/span><span class=\"tm13\">considers the family as a function of residue, in a singular transmission, through an assemblage of desires. It is out of a nothing, a mere nothing, that <\/span><span class=\"tm13\">Cinzia D<\/span><span class=\"tm13\">\u2019Angelis invites us to question the residual function of a transmission. <\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">If the family is at the heart of the analytic treatment itself, it is out of <\/span><em><span class=\"tm17\">residues<\/span><\/em><span class=\"tm13\">, of bits of memories, of secrets, of timeless remnants that it operates. What are these remnants that escape the meaning, if not stumps of the Real cluttering each subject? Lacan gives it a catchy formulation:\u00a0\u201cThis real, the real at issue in what is called my thought, is always an odd or an end, a core. It is certainly a core around which thought embellishes, but the mark as such of this real is that it doesn\u2019t tie on to anything. This at least is how I conceive of the real.\u201d\u00a0<\/span><span class=\"tm13\">[2]<\/span><\/p>\n<p class=\"tm15\"><span class=\"tm13\">From this perspective, psychoanalysis as a treatment \u2013\u00a0treatment defined as a transformation from an initial state of the <\/span><em><span class=\"tm17\">residue<\/span><\/em><span class=\"tm13\"> to another form of the <\/span><em><span class=\"tm17\">residue<\/span><\/em><span class=\"tm13\">\u00a0<\/span><span class=\"tm13\">[3]<\/span><span class=\"tm13\">, doesn\u2019t seek to eliminate the discontent, but rather to make use of it, to operate from this remnant. It allows, from the family residue that reeks of death, to draw a lighter outline, to inflect the path of those bits of real. It is up to the subject to inscribe within it, in accordance with the contingency of his history, the style of his destiny.<\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">A quiet moment over tea? A ride by car, in the subway or the train? Get yourself connected to the last PIPOL12 podcast\u00a0: <\/span><em><span class=\"tm17\">Faire famille \u00e0 l\u2019<\/span><span class=\"tm13\">adolescence<\/span><\/em><span class=\"tm13\">, with Philippe Lacad\u00e9<\/span><span class=\"tm13\">e. <\/span><span class=\"tm13\">You will hear the cutting of the signifier \u201c\u00a0<\/span><em><span class=\"tm17\">d\u00e9\/tachement<\/span><\/em><span class=\"tm13\">\u00a0\u201c, as Freud introduces it as a decisive operation in adolescence, not without paradox. <\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">Switch to PIPOL12 mode !\u00a0 <\/span><u><a href=\"https:\/\/feeds.acast.com\/public\/shows\/podcast-pipol\"><span class=\"tm13\">https:\/\/feeds.acast.com\/public\/shows\/podcast-pipol<\/span><\/a><\/u><span class=\"tm13\">\u00a0<\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">\u00a0<\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">\u00a0<\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">Translation: Manuela Rabesahala<\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">Proofreading: Tracy Hoijer-Favre<\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">\u00a0<\/span><\/p>\n<p class=\"tm20\"><span class=\"tm13\">\u00a0<\/span><\/p>\n<p class=\"tm15\"><span class=\"tm21\">[1] From the verb <\/span><em><span class=\"tm22\">Adjacere, <\/span><\/em><span class=\"tm21\">Dictionnaire \u00e9tymologique de la langue fran\u00e7aise, Bloch, O. &amp; von Wartburg, W., Paris, PUF, 2002.<\/span><\/p>\n<p class=\"tm24\"><span class=\"tm21\">[2] Lacan, J., <\/span><em><span class=\"tm22\">The Seminar of Jacques Lacan, Book XXIII, The Sinthome<\/span><\/em><span class=\"tm21\">, ed. J.-A. Miller, trans. A.R. Price, <\/span><span class=\"tm21\">Cambridge: Polity, 2016, p.\u00a0104. <\/span><\/p>\n<p class=\"tm15\"><span class=\"tm21\">[3] Cf. Miller J.-A., <\/span><span class=\"tm21\">\u00ab\u00a0La matrice du traitement de l\u2019enfant au loup\u00a0\u00bb, in De Halleux B. (s\/dir.), <\/span><em><span class=\"tm22\">Quelque chose \u00e0 dire \u00e0 l\u2019enfant autiste<\/span><\/em><span class=\"tm21\">. <\/span><em><span class=\"tm22\">Pratique \u00e0 plusieurs \u00e0 <\/span><span class=\"tm21\">l<\/span><span class=\"tm21\">\u2019<\/span><span class=\"tm21\">Antenne 110<\/span><\/em><span class=\"tm21\">, Paris, Editions Mich\u00e8<\/span><span class=\"tm21\">le, 2010, p.<\/span><span class=\"tm21\">\u00a0<\/span><span class=\"tm21\">24.<\/span><\/p>\n<p class=\"Normal\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>On the poster concocted for our next Congress, Family and Its Discontents, we can notice the cutting of the signifier dis-con-tents (mal-aise, in French), which indicates a caesura that emphasises the inherent discomfort in the structure of the family itself. The dis-con-tent, not considered as a simple dysfunction, but as a structuring residue, a remnant [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":8783,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[552],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Destinies of a residue - Fatiha Sarah Belghomari - Pipol Congr\u00e8s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pipol12.pipolcongres.eu\/en\/2025\/06\/25\/fatiha-sarah-belghomari\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Destinies of a residue - Fatiha Sarah Belghomari - Pipol Congr\u00e8s\" \/>\n<meta property=\"og:description\" content=\"On the poster concocted for our next Congress, Family and Its Discontents, we can notice the cutting of the signifier dis-con-tents (mal-aise, in French), which indicates a caesura that emphasises the inherent discomfort in the structure of the family itself. 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